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Lady Macbeth of the Mtsensk District
Леди Макбет Мценского уезда
Katerina Izmailova is the name of the heroine in Nikolai Leskov's novella and Dmitry Shostakovich's opera; a name that has become synonymous with her character. A strong, commanding, and beautiful woman who commits a terrible crime for the sake of her lover: a heart-wrenching story based on real events that took place in Imperial Russia.
In Chernyakov's "Lady Macbeth of the Mtsensk District," there is no trace of antiquity. On the stage, we see a typical office, a familiar environment for both the Russian and the 21st-century German and French characters. But Katerina is an outsider here, a guest from the "third world" that both the Russian and the French observe with equal trepidation and desire. The Katerina in this production may be a distant relative of the ancient Medea. The performance is about the power of fate and the power of passion, forces that cannot be hidden behind the façade of Euro-renovation.
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The Pygmalion Effect
Boris Eifman's ballet interpretation of the archetypal plot about a sculptor who falls in love with his creation
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Teodor Currentzis – UTOPIA
Teodor Currentzis presents the international festival orchestra Utopia featuring 116 musicians from 30 countries