Don Giovanni
Дон Жуан
On March 15, 1977, the Met presented the inaugural performance of its Live from the Met series of opera telecasts—a Peabody Award–winning program that would run on public television for more than 25 years. One of the early performances included in the series was this 1978 performance of Mozart’s classic black comedy Don Giovanni, starring celebrated bass-baritone James Morris as the title seducer—a role that he would go on to sing 42 times with the company. On the podium, Richard Bonynge leads a buoyant performance of Herbert Graf’s classic production. Alongside Morris, the exceptional cast features soprano Joan Sutherland as Donna Anna, baritone Gabriel Bacquier as Leporello, and bass John Macurdy as the Commendatore.
Actors
Don Giovanni
Donna Anna
Donna Elvira
Don Ottavio
Zerlina
Leporello
Commendatore
Crew
In the morning, Giovanni and Leporello encounter one of Giovanni’s former conquests, Donna Elvira, who is devastated by his betrayal. Leporello tells her she is neither the first nor the last woman to fall victim to Giovanni and shows her his catalogue with the name of every woman Giovanni has seduced.
Peasants celebrate the marriage of Masetto and Zerlina. Giovanni flirts with the bride, telling her she is destined for a better life. But Elvira urges Zerlina to flee her suitor. She also warns Anna, who is still unaware of the identity of her father’s murderer and has asked Giovanni for help in finding the man. Giovanni, for his part, insists that Elvira is mad, and Anna and Ottavio wonder what to believe. As Giovanni leaves, Anna suddenly recognizes his voice as that of the murderer. Devastated but determined, she once more asks Ottavio to avenge her. He wonders how to restore her peace of mind. Giovanni, who has invited the entire wedding party to his home, looks forward to an evening of drinking and dancing.
Outside Giovanni’s home, Zerlina asks Masetto to forgive her. Giovanni enters and leads them both inside. Anna, Elvira, and Ottavio appear masked and are invited in by Leporello. In the ballroom, Giovanni dances with Zerlina, then tries to drag her into the adjoining room. When she cries for help, Giovanni blames Leporello. Anna, Elvira, and Ottavio take off their masks and, along with Zerlina and Masetto, accuse Giovanni, who is momentarily surprised but manages to slip away.
ACT II
Later that night, Leporello—still believed by Elvira to be Giovanni—is surprised by Anna, Ottavio, Zerlina, and Masetto, who all denounce the supposed Don. Fearing for his life, Leporello reveals his true identity before making his escape. Ottavio proclaims that he will take revenge on Giovanni and asks the others to look after Anna. Elvira thinks about Giovanni, whom she still loves in spite of everything.
In a cemetery, Giovanni and Leporello meet the statue of the Commendatore, who warns Giovanni that by morning he will laugh no longer. Giovanni forces the terrified Leporello to invite the statue to dinner. The statue accepts.
Once again, Ottavio asks Anna to marry him, but she replies that she will not until her father’s death has been avenged.
Elvira arrives at Giovanni’s home. She makes a last desperate attempt to persuade him to change his life, but he only laughs at her. The figure of the Commendatore enters and asks Giovanni to repent. When he boldly refuses he is consumed by flames. Elvira, Anna, Ottavio, Zerlina, Masetto, and Leporello appear, contemplating their futures and the fate of an immoral man.
Language
Italian
Runtime
3 hours 2 minutes
1978
16+
Can be interesting for you
Le Comte Ory
A comic opera starring Juan Diego Flores and with scenery based on Bosch's The Garden of Earthly Delights
Arena di Verona: Turandot
The legendary classical production by Franco Zeffirelli featuring two global stars, the brilliant Anna Netrebko and Yusif Eyvazov, presents Puccini's great opera with a truly cinematic grandeur.
